Friday, September 8, 2017

   What, exactly, defines art? I am familiar with the typical definitions of course, but doesn't that define only typical art? Where, for instance, do we draw the line between art and graffiti? Is it graffiti only if it is rendered on something that is owned and treasured by someone else, or does an abandoned building in the middle of nowhere count as well? At what point do we accept graffiti as part of the urban landscape, a viable form of art that deserves a place in our culture? Do we ever welcome it, or is it always a blight on the landscape? If a significant number of people dislike a public piece of art, does that make it graffiti? I once heard music defined as "the poetry of the people"; measured by the same yardstick, is graffiti the artwork of the people?

   All these questions come to mind because I have recently realized that some of my favorite photos, popular among viewers as well, contain an element of graffiti. So, does this mean I am promoting graffiti as an acceptable thing by photographing it? Most of the structures in these photos are far outside of towns and are obviously abandoned, but probably still do technically belong to a property owner somewhere. Is it o.k. as long as it's "artistic" tagging, but not if it is "ugly" tagging? Who is qualified to make that call? Certainly not me, even with years of art training under my belt.

   I think we can all agree that two or three letters scrawled on the side of a city library is graffiti and not to be tolerated, but what if the midnight artist rendered a beautiful portrait of a famous author along with his or her initials? Does that then become public art? What if the powers that be painted a bad piece of art on the same wall to cover the uninvited portrait; does the new painting then become graffiti? If a community mural is altered or covered with new artwork without the consent of the original artist, is that vandalism?

   On a section of old Route 66 between Amboy and Chambless, CA there is an embankment where generations of travelers have left messages written in rocks, sticks, bottle caps and other roadside detritus. S+S proclaim their love from inside a rock edged heart, while Asia says just that; "ASIA". Is it a person or a geographic designation? We'll never know, and for myself, I prefer it that way. The mystery is part of the beauty; so, are all these people vandals tagging the highway with graffiti, or are they artists participating in an interactive highway art installation? Perhaps, you say, it's not graffiti because of it's transitory nature. After all, rocks are a natural element easily removed if desired; but do we really desire their removal? What about the petroglyphs left by early man? Technically that is probably graffiti too, but think how much of our history as a species would be lost without those simple "tags" left by our ancestors.

   I think it is safe to say that art is a constantly changing concept that adapts itself to the times, and what is art today may not be considered as such down the road. Art revolves around symbolism, and the definitions of symbols are constantly changing. What is arguably the most hated symbol in recent history was known in Native American culture as "whirling logs". It was a traditional symbol used in sand painting, rug and basket designs, and in jewelry designs. After it was hijacked by the dark side prior to WWII, the tribes stopped using the design (incidentally leaving us with a pretty good way to date native designs to pre or post c.1940). This is just one of many such examples, but I'm sure you get my point.
   So, will I stop shooting graffiti covered buildings in the interest of preserving art in it's purest form? Not a chance, my friends! Will I make postcards out of hateful messages scrawled on buildings and scratched on windows? Not a chance, my friends! I guess we each have to draw our own line in the desert sand and let others choose whether to step over it or not.

   Peace!         -Lynn

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